WES ANDERSON

This week’s new entertainment releases include a new album from Tears for Fears, that familiar “cha-CHUNG” sound effect signals the return to TV of NBC’s “Law & Order” and Tyler Perry’s gun-totting grandmother Madea in a fresh Netflix film.

Disney and Marvel’s “Eternals” fell 61% in its second weekend in theaters, but it’s still hanging on to first place ahead of newcomers like “Clifford the Big Red Dog.”.

After a record-breaking start, October’s box office closed out quietly this weekend with “Dune” repeating at number one and two prominent genre newcomers, “Last Night in Soho” and “Antlers,” stumbling.

Denis Villeneuve’s “Dune” debuted with $40.1 million in ticket sales in its opening weekend in North America, drawing enough moviegoers to see the thundering sci-fi epic on the big screen despite it also being available in homes.

At its best, the new Wes Anderson film mixes madcap fun, gentle satire, and earnestness. At its worst, it’s exhausting.

“Halloween Kills” may be available to watch at home, but the latest installment in the Michael Myers saga is making a killing at the North American box office in its first weekend in theaters.

Jane Campion's masterful story of a sadistic Montana rancher is one of this week's notable premieres.

It's premiere time for the film academy's long-awaited museum.

The fall movie season -- usually a reliable rhythm and cozy autumn comfort — is this year, like much of the past 18 months, a little disorienting.

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

A year after it was first to premiere at the Cannes Film Festival, Wes Anderson’s “The French Dispatch” finally rolled into the French Riviera festival on Monday.

Léa Seydoux, one of France’s most famous actors, is at risk of missing the Cannes Film Festival after testing positive for COVID-19.

The Cannes Film Festival rolled out the red carpet for the first time in more than two years on Tuesday, launching the French Riviera spectacular with the premiere of Leos Carax’s “Annette,” the introduction of Spike Lee’s jury, and with high hopes for shrugging off a punishing pandemic year for cinema.

Cannes is back.

On Tuesday, the Cannes Film Festival will reopen.

Starting in July, the historical Ann Arbor theater will show screenings of select films on Sundays, Tuesdays, Fridays and Saturdays through August.

The Cannes Film Festival on Thursday unveiled a lineup of films from big-name auteurs — including Wes Anderson, Asghar Farhadi, Mia Hansen-Løve and Sean Penn — for its 74th edition in July.

Early risers in Venice have woken to the sight of a cruise ship traveling down the Giudecca canal for the first time since the pandemic, despite repeated government pledges to reroute the huge vessels on safety and environmental grounds.

Timothée Chalamet will play Willy Wonka in a musical based on the early life of the eccentric chocolatier.

Hollywoods awards season has gone virtual. For Awards Daily founder Sasha Stone, who has been covering the Oscars since 2000, it’s like nothing she’s ever seen — an awards season without glamour, without red carpets, without anything that feels real. And awards season, such as it is, has gone virtual. The Oscar race will Zoomed. Not everyone is sorry that awards season — an increasingly bloated, overlong, high-priced slog from September to February — has been turned upside down.

This undated photo provided by the @One Cut of the Dead Mission: Remote shows Shinichiro Ueda, director of One Cut of the Dead Mission: Remote, a YouTube spinoff of his 2017 award-winning film. A comedic horror film centered around teleworking, "One Cut of the Dead Mission: Remote” was released earlier this year and shared for free on YouTube. It features the same characters from his award-winning 2017 film “One Cut of the Dead,” which has one shot that was 37-minutes long. Ueda’s style incorporates slapstick comedy and focuses on visual, rather than explanatory verbal storytelling, an approach relatively rare in contemporary Japanese film. “It’s only after 200 or 300 bad films you will have that one great film,” he said.

Cannes Festival director Thierry Fremaux, left, festival president Pierre Lescure, sit during the presentation of the festival lineup, in an empty cinema Wednesday, June 3, 2020 in Paris. The Cannes Film Festival was canceled due to the pandemic but it announced the films that would have played at the French Riviera festival. Those films, festival organizers say, will be able to promote themselves with the Cannes "stamp of approval." The French festival, originally slated for mid-May, initially considered postponing to July but ultimately gave up on a 2020 edition. The films will be able to brand themselves as part of the official 2020 Cannes Film Festival selection.

"The Grand Budapest Hotel" stars on director Wes Anderson Wes Anderson, the director behind films like "The Royal Tenenbaums" and "Moonrise Kingdom," has assembled an all-star cast for "The Grand Budapest Hotel." Stars Ralph Fiennes, Bill Murray, Willem Dafoe and newcomer Tony Revolori spoke to CBS News' Ken Lombardi at the film's New York red carpet premiere.